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Even more, in the bozal dialect, the expression was "toc tango" or "toc tamb" (play the drum) to start the dance.The slaves' meeting space, both in Africa and America, was called tango.However, almost 100 years had to pass for the dictionary to define tango as a "world-wide known Argentinian dance for two people who join in movement, based on a binary 2/4 beat".


When comparing tango and tambo, Blas Matamoro asserts that these two terms are onomatopeyic of the tam-tam or candombe used in African dances.They say that the word tango is older than the dance itself and that by 1803 it would appear in the Real Academia Espaola dictionary as a variant of tngano, a bone or rock used to play the game bearing the same name.But by 1889, the institution ruling over the Spanish language would include a second entry for the word "tango" as a "popular celebration and dancing of black people in America".And Buenos Aires gave that name to the houses in the suburbs where, in the early XIX century, the African would meet to dance and forget their condition for a while.

Controversial even in its origins, like every real thing, it hides a secret.

The truth is that in the mid 1800s, the well-known conventillos (large houses inhabitted by several families) in the booming city of Buenos Aires would be crowded with countrymen, foreigners who had just descended from a boat and several porteos without any means of support who, maybe in order to make a difference or perhaps to take root, set their own stamp on the new popular expressions.


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